In the developed world, people understand the love
like the starting point for every monogamous sexual relation. However, in other
countries around the world, several different ideas about the importance of
love in the marriage exist; even they wonder about the existence of love.
Tahitian aborigines and indigenous from Kalahari,
where there’s no sexual repression, don’t recognize the romantic love, because
they have always thought that’s the way to no die without issue.
Eastern traditional cultures consider people’s
identity come from their family. When Orientals talk about a woman, they are normally
thinking about her like a daughter, a granddaughter, a sister, a wife, a mother
or a worker, but they are almost never thinking about her like a full member.
It is virtually the same with the man’s concept. When
people are involved in that context, they don’t care about romantic love at
all, but they pay attention to the family’s wishes to chose a couple, a wife.
Indian and Arabian traditional cultures give more importance
to the family and the social laws than to the personal feelings, and they
sometimes believe women are less valuable than men even that women are men’s
possessions.
Indian, African and South-American children’s weddings
are decided by their parent before they have been born, and kids are married
when they are still small.
Also royal and rich families worry about their
finances to determine the children’s marriages.
Occasionally, few societies like Indian, Buddhist and
Japanese ethnicity, for example, bear the astrology in mind when it comes to
establishing wedding engagements. And real love keeps aside.
The information above is true, but it is also true
that contemporary Western customs have influenced on other cultures. For
example, the minority immigrant cultures composed of Vietnamese people, in the
USA, and of Hindu and Pakistani people in UK, mean differences in their
attitude about romantic love in the marriage. Generally, like result of that,
tension takes place between major members of the family, more faithful to the
traditions, and younger generations, who wish to have fiancés and fiancées.
In addition, Western view of love has incorporated a
new outlook about homosexual people. They are almost completely accepted by the
other people; more commonly, by young people. Although, in fact this reaction
depends on the diverse cultures and ethnics’ approbation, and it is repressed
in accordance with the orders enacted by the law in the different countries which,
at the same time, agrees with the religion in many regions.
Some cultures think offspring is the main reason for a
couple to stay together, so they focus their union in the fertility. In few
Center and Eastern African countries, women aren’t allowed to marry until they
show they can become pregnant (no matter whose is this male action).
In general, rituals of fertility entail the bride exposure
to as many as possible reproduction issues, like babies, seeds, roots, old
magic stones and springs. A traditional ceremony consists of handle fruits with
many seeds like figs and pomegranates. Fish and hens’ eggs also seem a
fertility fostered. And few people suppose that some items are able to high the
women’s fertility.
Nowadays, we always usually represent out feeling and
our concept about love in text and film supports to spread it for all over the
world.
Some famous films about love relations are Pretty
Woman, Ghost, The Bodyguard, Love Story, and many other U’ films:
Pretty
Woman is a 1990 romantic comedy
film set in Los Angeles, California. Written by J.F. Lawton and directed by
Garry Marshall, this film features Richard Gere and Julia Roberts. Roberts
played the only important female character. The story of Pretty Woman centres on
Hollywood prostitute Vivian Ward who is hired by a businessman, Edward Lewis,
to be his escort for several business and social functions, and their
developing relationship over the course of Vivian's week that she stay with
him.
Today the film is one of the most financially
successful entries in the romantic comedy genre, with an estimated gross income
of $463.4 million. It also received a moderate amount of critical praise,
particularly for the performance of Roberts, for which she received a Golden
Globe Award and a nomination for the Academy Award for Best Actress. In
addition, the screenwriter J.F. Lawton was nominated for a Writers Guild Award
and a BAFTA Award.
Ghost is a 1990 American romantic fantasy drama film
starring Patrick Swayze, Demi Moore and Whoopi Goldberg.
Sam Wheat and Molly Jensen are loving couple who move
into a New York City. At work, Sam discovers discrepancies in some bank
accounts and confides in his good friend, Carl Bruner. Carl offers to
investigate the matter, but Sam decides to investigate on his own. Sam and
Molly are attacked by the thug, Willy, and Sam dies. Then, Sam's ghost arises.
Sam follows Willy, and hears that he will return to
Molly's house. He also meets Oda Mae a medium and realizes she can hear him, he
persuades Oda Mae to tell Molly that she is in danger, but Molly is
disbelieving. Molly talks to the police about her concerns but they confirm
that Oda Mae is a known confidence trickster with a lengthy record.
Sam discovers that Carl was involved in a money
laundering scheme and that the attack was an attempt by Carl to acquire Sam's
security codes. He persuades Oda Mae to thwart Carl's money laundering scheme.
Carl becomes desperate when he finds the account
closed and empty. Sam taunts him in the deserted office. Carl visits Molly and
declares to Sam that he will kill Molly unless the money is returned that
evening. He and Willy then go to Oda Mae's apartment to find her. Sam manages
to get there first and warns Oda Mae and her two sisters, who escape and take
refuge in a neighbour’s apartment. Willy flees and is killed in a traffic
accident. Willy's ghost arises, only to be grabbed by a group of howling demons
and pulled into the shadows.
Afterwards, Sam and Oda Mae return to Molly's
apartment to warn her about Carl, but she refuses to let her in .Sam finally
convinces her that Oda Mae is genuine and he is truly present as a ghost by
having her push a penny underneath the front door and Sam levitating it in
front of Molly. Astonished, Molly lets Ode Mae inside and while waiting for the
police, Sam uses Oda Mae's body to share a final dance with Molly. Carl fall
dead and his ghost arise and is kidnapped by demons too.
As Sam goes to Oda Mae and Molly and asks if they are
all right, Molly suddenly realizes that she can hear him. A heavenly light
fills the room and Sam becomes fully visible to both Molly and Oda Mae. Sam
looks behind him and sees hundreds of people, presumably angels, in a portal to
Heaven. His task is completed and he can move on.
The Bodyguard
is a 1992 American romantic-thriller film starring Kevin Costner and the late
Whitney Houston. Costner stars as a former Secret Service Agent turned
bodyguard who is hired to protect Houston's character, a music star, from an
unknown stalker. It was directed by Mick Jackson. This film was the acting
debut of Houston, a Grammy-winning R&B singer. Rachael falls in love with
Frank. He initially tries to keep the relationship professional, but the two
sleep together. However, recognizing that their relationship may compromise his
protection of her, Frank breaks off their affair. Hurt, Rachel begins to push
Frank's buttons by violating the routines he put in place, and attempting to
sleep with his former Secret Service co-worker, Greg.
After Rachel contacts with her stalker via a creepy
phone call, she realizes that she must put her trust in Frank ahead of her own
desire for success. She finally recognizes the seriousness of the situation and
cancels the rest of her tour. At the Oscars, the killer tries to assassinate Rachel
again with a gun hidden inside a camera, when she accepts her award for Best
Actress. Frank jumps in front of her to save her life, and is shot himself.
Frank manages to kill the hitman who turns out to be his friend and former
Secret Service co-worker Greg Portman before losing awareness.
In the end, Frank's duty having been fulfilled by
successfully protecting Rachael, they part with a kiss. Frank then moves on to
his next assignment.
Love
Story is a 1970 romantic drama
film written by Erich Segal and based on his novel Love Story. It was directed
by Arthur Hiller. The film, well known as a tragedy, is considered one of the
most romantic of all time by the American Film Institute (#9 on the list). The film
tells of Oliver Barrett IV, who comes from a family of wealthy and
well-respected Harvard University graduates. The Harvard student meets and
falls in love with Jennifer Cavalleri, a working-class, quick-witted Radcliffe
College student. Upon graduation from college, the two decide to marry against
the wishes of Oliver's father. Without his father's financial support, the
couple struggles to pay Oliver's way through Harvard Law School with Jenny
working as a private school teacher. Graduating third in his class at Harvard
Law, Oliver takes a position at a respectable New York law firm.
With Oliver's new income, both 24-year-olds decide to
have a child. After failing, they consult a medical specialist, who after
repeated tests, informs Oliver that Jenny is ill and will soon die. While this
is not stated explicitly, she appears to have leukaemia.
As instructed by his doctor, Oliver attempts to live a
"normal life" without telling Jenny of her condition. Jenny
nevertheless discovers her ailment after confronting her doctor about her
recent illness. With their days together numbered, Jenny begins costly cancer
therapy, and Oliver soon becomes unable to afford the multiplying hospital
expenses. Desperate, he seeks financial relief from his father.
When the senior Barrett asks if he needs the money
because he got some girl "in trouble," Oliver says yes instead of
telling his father the truth about Jenny's condition.
From her hospital bed, Jenny speaks with her father
about funeral arrangements, then, she asks for Oliver. She tells him to avoid
blaming himself, and asks him to embrace her tightly before she dies. They lie
together on the hospital bed. As a grief-stricken Oliver leaves the hospital,
he is met by his father who now wants to apologize for the way he treated his
son. Oliver replies that "Love means never having to say you're
sorry", and walks off.
All Disney’s
films also have got love stories and beautiful titles. The little Mermaid,
Cinderella, Pocahontas, Hercules, The Sleeping Beauty, Tangled or The Beauty
and the Beast!
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