lunes, 5 de marzo de 2012

CURRENTLY VIEW OF THE LOVE
In the developed world, people understand the love like the starting point for every monogamous sexual relation. However, in other countries around the world, several different ideas about the importance of love in the marriage exist; even they wonder about the existence of love.
Tahitian aborigines and indigenous from Kalahari, where there’s no sexual repression, don’t recognize the romantic love, because they have always thought that’s the way to no die without issue.
Eastern traditional cultures consider people’s identity come from their family. When Orientals talk about a woman, they are normally thinking about her like a daughter, a granddaughter, a sister, a wife, a mother or a worker, but they are almost never thinking about her like a full member.
It is virtually the same with the man’s concept. When people are involved in that context, they don’t care about romantic love at all, but they pay attention to the family’s wishes to chose a couple, a wife.
      
Indian and Arabian traditional cultures give more importance to the family and the social laws than to the personal feelings, and they sometimes believe women are less valuable than men even that women are men’s possessions.
Indian, African and South-American children’s weddings are decided by their parent before they have been born, and kids are married when they are still small.
Also royal and rich families worry about their finances to determine the children’s marriages.
Occasionally, few societies like Indian, Buddhist and Japanese ethnicity, for example, bear the astrology in mind when it comes to establishing wedding engagements. And real love keeps aside.
The information above is true, but it is also true that contemporary Western customs have influenced on other cultures. For example, the minority immigrant cultures composed of Vietnamese people, in the USA, and of Hindu and Pakistani people in UK, mean differences in their attitude about romantic love in the marriage. Generally, like result of that, tension takes place between major members of the family, more faithful to the traditions, and younger generations, who wish to have fiancés and fiancées.
In addition, Western view of love has incorporated a new outlook about homosexual people. They are almost completely accepted by the other people; more commonly, by young people. Although, in fact this reaction depends on the diverse cultures and ethnics’ approbation, and it is repressed in accordance with the orders enacted by the law in the different countries which, at the same time, agrees with the religion in many regions.
Some cultures think offspring is the main reason for a couple to stay together, so they focus their union in the fertility. In few Center and Eastern African countries, women aren’t allowed to marry until they show they can become pregnant (no matter whose is this male action).

In general, rituals of fertility entail the bride exposure to as many as possible reproduction issues, like babies, seeds, roots, old magic stones and springs. A traditional ceremony consists of handle fruits with many seeds like figs and pomegranates. Fish and hens’ eggs also seem a fertility fostered. And few people suppose that some items are able to high the women’s fertility.              
   
Nowadays, we always usually represent out feeling and our concept about love in text and film supports to spread it for all over the world.
Some famous films about love relations are Pretty Woman, Ghost, The Bodyguard, Love Story, and many other U’ films:

Pretty Woman is a 1990 romantic comedy film set in Los Angeles, California. Written by J.F. Lawton and directed by Garry Marshall, this film features Richard Gere and Julia Roberts. Roberts played the only important female character. The story of Pretty Woman centres on Hollywood prostitute Vivian Ward who is hired by a businessman, Edward Lewis, to be his escort for several business and social functions, and their developing relationship over the course of Vivian's week that she stay with him.
Today the film is one of the most financially successful entries in the romantic comedy genre, with an estimated gross income of $463.4 million. It also received a moderate amount of critical praise, particularly for the performance of Roberts, for which she received a Golden Globe Award and a nomination for the Academy Award for Best Actress. In addition, the screenwriter J.F. Lawton was nominated for a Writers Guild Award and a BAFTA Award.

Ghost is a 1990 American romantic fantasy drama film starring Patrick Swayze, Demi Moore and Whoopi Goldberg.
Sam Wheat and Molly Jensen are loving couple who move into a New York City. At work, Sam discovers discrepancies in some bank accounts and confides in his good friend, Carl Bruner. Carl offers to investigate the matter, but Sam decides to investigate on his own. Sam and Molly are attacked by the thug, Willy, and Sam dies. Then, Sam's ghost arises.
Sam follows Willy, and hears that he will return to Molly's house. He also meets Oda Mae a medium and realizes she can hear him, he persuades Oda Mae to tell Molly that she is in danger, but Molly is disbelieving. Molly talks to the police about her concerns but they confirm that Oda Mae is a known confidence trickster with a lengthy record.
Sam discovers that Carl was involved in a money laundering scheme and that the attack was an attempt by Carl to acquire Sam's security codes. He persuades Oda Mae to thwart Carl's money laundering scheme.
Carl becomes desperate when he finds the account closed and empty. Sam taunts him in the deserted office. Carl visits Molly and declares to Sam that he will kill Molly unless the money is returned that evening. He and Willy then go to Oda Mae's apartment to find her. Sam manages to get there first and warns Oda Mae and her two sisters, who escape and take refuge in a neighbour’s apartment. Willy flees and is killed in a traffic accident. Willy's ghost arises, only to be grabbed by a group of howling demons and pulled into the shadows.
Afterwards, Sam and Oda Mae return to Molly's apartment to warn her about Carl, but she refuses to let her in .Sam finally convinces her that Oda Mae is genuine and he is truly present as a ghost by having her push a penny underneath the front door and Sam levitating it in front of Molly. Astonished, Molly lets Ode Mae inside and while waiting for the police, Sam uses Oda Mae's body to share a final dance with Molly. Carl fall dead and his ghost arise and is kidnapped by demons too.
As Sam goes to Oda Mae and Molly and asks if they are all right, Molly suddenly realizes that she can hear him. A heavenly light fills the room and Sam becomes fully visible to both Molly and Oda Mae. Sam looks behind him and sees hundreds of people, presumably angels, in a portal to Heaven. His task is completed and he can move on.

The Bodyguard is a 1992 American romantic-thriller film starring Kevin Costner and the late Whitney Houston. Costner stars as a former Secret Service Agent turned bodyguard who is hired to protect Houston's character, a music star, from an unknown stalker. It was directed by Mick Jackson. This film was the acting debut of Houston, a Grammy-winning R&B singer. Rachael falls in love with Frank. He initially tries to keep the relationship professional, but the two sleep together. However, recognizing that their relationship may compromise his protection of her, Frank breaks off their affair. Hurt, Rachel begins to push Frank's buttons by violating the routines he put in place, and attempting to sleep with his former Secret Service co-worker, Greg.
After Rachel contacts with her stalker via a creepy phone call, she realizes that she must put her trust in Frank ahead of her own desire for success. She finally recognizes the seriousness of the situation and cancels the rest of her tour. At the Oscars, the killer tries to assassinate Rachel again with a gun hidden inside a camera, when she accepts her award for Best Actress. Frank jumps in front of her to save her life, and is shot himself. Frank manages to kill the hitman who turns out to be his friend and former Secret Service co-worker Greg Portman before losing awareness.
In the end, Frank's duty having been fulfilled by successfully protecting Rachael, they part with a kiss. Frank then moves on to his next assignment.

Love Story is a 1970 romantic drama film written by Erich Segal and based on his novel Love Story. It was directed by Arthur Hiller. The film, well known as a tragedy, is considered one of the most romantic of all time by the American Film Institute (#9 on the list). The film tells of Oliver Barrett IV, who comes from a family of wealthy and well-respected Harvard University graduates. The Harvard student meets and falls in love with Jennifer Cavalleri, a working-class, quick-witted Radcliffe College student. Upon graduation from college, the two decide to marry against the wishes of Oliver's father. Without his father's financial support, the couple struggles to pay Oliver's way through Harvard Law School with Jenny working as a private school teacher. Graduating third in his class at Harvard Law, Oliver takes a position at a respectable New York law firm.
With Oliver's new income, both 24-year-olds decide to have a child. After failing, they consult a medical specialist, who after repeated tests, informs Oliver that Jenny is ill and will soon die. While this is not stated explicitly, she appears to have leukaemia.
As instructed by his doctor, Oliver attempts to live a "normal life" without telling Jenny of her condition. Jenny nevertheless discovers her ailment after confronting her doctor about her recent illness. With their days together numbered, Jenny begins costly cancer therapy, and Oliver soon becomes unable to afford the multiplying hospital expenses. Desperate, he seeks financial relief from his father.
When the senior Barrett asks if he needs the money because he got some girl "in trouble," Oliver says yes instead of telling his father the truth about Jenny's condition.
From her hospital bed, Jenny speaks with her father about funeral arrangements, then, she asks for Oliver. She tells him to avoid blaming himself, and asks him to embrace her tightly before she dies. They lie together on the hospital bed. As a grief-stricken Oliver leaves the hospital, he is met by his father who now wants to apologize for the way he treated his son. Oliver replies that "Love means never having to say you're sorry", and walks off.
 
All Disney’s films also have got love stories and beautiful titles. The little Mermaid, Cinderella, Pocahontas, Hercules, The Sleeping Beauty, Tangled or The Beauty and the Beast! 

No hay comentarios:

Publicar un comentario